The opposite of fear is love – love of the challenge, love of the work, the pure joyous passion to take a shot at our dream and see if we can pull it off.
STEVEN PRESSFIELDThe best and only thing that one artist can do for another is to serve as an example and an inspiration.
More Steven Pressfield Quotes
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The more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul.
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Resistance cannot be seen, touched, heard, or smelled. But it can be felt. We experince it as an energy field radiating from a work-in-potential… Its aim is to shove us away, distract us, prevent us from doing our work.
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Courage is inseparable from love and leads to what may arguably be the noblest of all warrior virtues: selflessness.
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Our greatest battle is to become ourselves, in the face of adversity.
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The professional respects his craft. He does not consider himself superior to it. He recognizes the contributions of those who have gone before him. He apprentices himself to them.
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Resistance by definition is self-sabotage.
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When we sit down day after day and keep grinding, something mysterious starts to happen… Unseen forces enlist in our cause; serendipity reinforces our purpose.
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The most important thing about art is to work. Nothing else matters except sitting down every day and trying.
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If you were meant to cure cancer or write a symphony or crack cold fusion and you don’t do it, you not only hurt yourself, even destroy yourself. You hurt your children. You hurt me. You hurt the planet.
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There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing part that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is Resistance.
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We come into this world with a specific, personal destiny. We have a job to do, a calling to enact, a self to become. We are who we are from the cradle, and we’re stuck with it.
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We feed it [Resistance] with power by our fear of it. Master that fear and we conquer Resistance.
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The critic hates most that which he would have done himself if he had had the guts.
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The professional will not tolerate disorder… He wants the carpet vacuumed and the threshold swept, so the Muse may enter and not soil her gown.
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The professional does not wait for inspiration; he acts in anticipation of it.
STEVEN PRESSFIELD