“The ego represents what we call reason and sanity, in contrast to the id which contains the passions.”

When a love-relationship is at its height there is no room left for any interest in the environment; a pair of lovers are sufficient to themselves.

The virtuous man contents himself with dreaming that which the wicked man does in actual life.

The ego is not master in its own house.

In the depths of my heart I can’t help being convinced that my dear fellow-men, with a few exceptions, are worthless.

The interpretation of Dreams is the royal road to a knowledge of the unconscious activities of the mind.

When a man is freed of religion, he has a better chance to live a normal and wholesome life.

It is a predisposition of human nature to consider an unpleasant idea untrue, and then it is easy to find arguments against it.

The unconscious mind is that strange sub-world revealed through dreams, lapses, or Freudian slips. “Until you make the unconscious conscious, it will direct your life and you will call it fate.

Crystals reveal their hidden structures only when broken.

The liberty of the individual is no gift of civilization. It was greatest before there was any civilization.

Civilization began the first time an angry person cast a word instead of a rock.

Poets are masters of us ordinary men, in knowledge of the mind because they drink at streams which we have not yet made accessible to science.

Beauty has no obvious use; nor is there any clear cultural necessity for it. Yet civilization could not do without it.

It is not attention that the child is seeking, but love.

Where id was, there ego shall be.

Whoever loves becomes humble. Those who love have , so to speak , pawned a part of their narcissism.

Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.

By contrast, a woman’s presence… defines what can and cannot be done to her.

People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.

Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information.

But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.

The contrasts between the haves and have-nots is so complicated.

The contrast was incredible.

Step out the front door like a ghost into the fog where noone notices the contrast of white on white.