For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAYEver since Two Daughters I’ve been composing my own music.
More Satyajit Ray Quotes
-
-
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY -
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY -
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY -
Particularly in the final stages I always find that I’m rushed. It’s dangerous when you’re rushed in the editing stage, most of my early films are flawed in the cutting.
SATYAJIT RAY -
The director is the only person who knows what the film is about.
SATYAJIT RAY -
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAY -
The only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAY -
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY -
I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
SATYAJIT RAY -
I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAY -
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY -
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY -
There’s always some room for improvisation.
SATYAJIT RAY -
I was interested in both Western and Indian classical music.
SATYAJIT RAY -
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY






