“I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.”

I was interested in both Western and Indian classical music.

What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.

My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.

I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.

The director is the only person who knows what the film is about.

Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.

I don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.

The conception of background music is changing. You use less and less of it these days.

It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.

When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.

I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.

There’s always some room for improvisation.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

I mix Indian instruments with Western instruments all the time.

At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.

The only solutions that are ever worth anything are the solutions that people find themselves.

In the olden days, the umpire didn’t have to take any courses in mind reading. The pitcher told you he was going to throw at you.

One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.

There is a terribly terrestrial mindset about what we need to do to take care of the planet.

I am well-nigh resolv’d to write no more tales but merely to dream when I have a mind to, not stopping to do anything so vulgar as to set down the dream for a boarish Publick.

The most merciful thing in the world, is the inability of the human mind to correlate all its contents.

It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day’s end, but is content to accept life and serve society as best it may.

It is the way of weakened minds to see everything through a black cloud. The soul forms its own horizons; your soul is darkened, and consequently the sky of the future appears stormy and unpromising.

I speak my mind too much, and the UFC probably don’t really like that. But I really don’t care.