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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Satyajit Ray

It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY

Decision Home Kind Movie Music Myself Success
I was interested in both Western and Indian classical music.
SATYAJIT RAY

Music Myself
I don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.
SATYAJIT RAY

Choice Movie Myself Start Style Woman
The director is the only person who knows what the film is about.
SATYAJIT RAY

Director Information Movie
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY

Instrument Music Myself Time
You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
SATYAJIT RAY

Beyond Limitation Marketing Money Yourself
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY

Creation Daughter Music Myself
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAY

Compare Development Habit Myself Story Treat Writing
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY

Happiness Hope Movie Myself Reward
There’s always some room for improvisation.
SATYAJIT RAY

Improvement Improvise Room
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY

Age Music Poetry Writing Youth
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY

Angle Change Economics Ideas Important Location Yourself
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY

Change Industry Local Location Movie Reality Time
I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
SATYAJIT RAY

Adapt Ideal Movie Original Story
When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAY

Hands Myself Original People Situation Story Writing
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY

Culture Equality Movie See

When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Related Topics

Popular Authors

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