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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Satyajit Ray

The conception of background music is changing. You use less and less of it these days.
SATYAJIT RAY

Change Music Yourself
You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
SATYAJIT RAY

Beyond Limitation Marketing Money Yourself
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY

Decision Home Kind Movie Music Myself Success
I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
SATYAJIT RAY

Adapt Ideal Movie Original Story
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY

Actor Busy Director Movie Time Work
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY

Change Industry Local Location Movie Reality Time
There’s always some room for improvisation.
SATYAJIT RAY

Improvement Improvise Room
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY

Creation Daughter Music Myself
I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAY

Cost Home Management Myself Quite Thinking Work
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY

Culture Equality Movie See
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY

Age Music Poetry Writing Youth
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY

Angle Change Economics Ideas Important Location Yourself
I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
SATYAJIT RAY

Mindset Myself Rest Salary Wait
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY

Happiness Hope Movie Myself Reward
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAY

Dedication Determination Director Effort Movie Phone Shooting Time
I was interested in both Western and Indian classical music.
SATYAJIT RAY

Music Myself

When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Related Topics

Popular Authors

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