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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Satyajit Ray

You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
SATYAJIT RAY

Beyond Limitation Marketing Money Yourself
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY

Angle Change Economics Ideas Important Location Yourself
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY

Instrument Music Myself Time
There’s always some room for improvisation.
SATYAJIT RAY

Improvement Improvise Room
The director is the only person who knows what the film is about.
SATYAJIT RAY

Director Information Movie
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY

Culture Equality Movie See
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAY

Dedication Determination Director Effort Movie Phone Shooting Time
I don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.
SATYAJIT RAY

Choice Movie Myself Start Style Woman
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY

Age Music Poetry Writing Youth
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
SATYAJIT RAY

Audience Myself Play Population
I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAY

Cost Home Management Myself Quite Thinking Work
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY

Actor Busy Director Movie Time Work
The conception of background music is changing. You use less and less of it these days.
SATYAJIT RAY

Change Music Yourself
When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAY

Hands Myself Original People Situation Story Writing
I was interested in both Western and Indian classical music.
SATYAJIT RAY

Music Myself
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY

Change Industry Local Location Movie Reality Time

When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

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When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.

Related Topics

Popular Authors

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