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Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Satyajit Ray

The director is the only person who knows what the film is about.
SATYAJIT RAY

Director Information Movie
I was interested in both Western and Indian classical music.
SATYAJIT RAY

Music Myself
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY

Actor Busy Director Movie Time Work
Particularly in the final stages I always find that I’m rushed. It’s dangerous when you’re rushed in the editing stage, most of my early films are flawed in the cutting.
SATYAJIT RAY

Dangerous Flaw Hurry Mistake Movie Myself Rush
I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
SATYAJIT RAY

Mindset Myself Rest Salary Wait
I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
SATYAJIT RAY

Adapt Ideal Movie Original Story
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY

Creation Daughter Music Myself
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAY

Dedication Determination Director Effort Movie Phone Shooting Time
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY

Age Music Poetry Writing Youth
When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAY

Hands Myself Original People Situation Story Writing
The only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAY

People Philosphy Solution Worth
I don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.
SATYAJIT RAY

Choice Movie Myself Start Style Woman
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY

Happiness Hope Movie Myself Reward
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY

Decision Home Kind Movie Music Myself Success
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY

Angle Change Economics Ideas Important Location Yourself
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY

Instrument Music Myself Time

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

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Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Related Topics

Popular Authors

More Satyajit Ray Quotes