Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAYSometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
More Satyajit Ray Quotes
-
-
You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
SATYAJIT RAY -
The conception of background music is changing. You use less and less of it these days.
SATYAJIT RAY -
I was interested in both Western and Indian classical music.
SATYAJIT RAY -
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY -
The only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAY -
I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
SATYAJIT RAY -
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY -
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY -
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY -
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY -
I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAY -
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY -
The director is the only person who knows what the film is about.
SATYAJIT RAY -
There’s always some room for improvisation.
SATYAJIT RAY -
When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAY