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Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Satyajit Ray

The conception of background music is changing. You use less and less of it these days.
SATYAJIT RAY

Change Music Yourself
I don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.
SATYAJIT RAY

Choice Movie Myself Start Style Woman
I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
SATYAJIT RAY

Mindset Myself Rest Salary Wait
At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAY

Age Music Poetry Writing Youth
I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAY

Compare Development Habit Myself Story Treat Writing
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY

Actor Busy Director Movie Time Work
There’s always some room for improvisation.
SATYAJIT RAY

Improvement Improvise Room
The only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAY

People Philosphy Solution Worth
When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAY

Hands Myself Original People Situation Story Writing
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY

Change Industry Local Location Movie Reality Time
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY

Decision Home Kind Movie Music Myself Success
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY

Happiness Hope Movie Myself Reward
The director is the only person who knows what the film is about.
SATYAJIT RAY

Director Information Movie
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY

Culture Equality Movie See
I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAY

Cost Home Management Myself Quite Thinking Work
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY

Creation Daughter Music Myself

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

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Popular Authors

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Related Topics

Popular Authors

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