I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAYI had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAYI don’t start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It’s not as if I start with Madhuri Dixit and then think what kind of film.
SATYAJIT RAYWhat is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAYI think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
SATYAJIT RAYI wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
SATYAJIT RAYThere’s always some room for improvisation.
SATYAJIT RAYI mix Indian instruments with Western instruments all the time.
SATYAJIT RAYAt the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
SATYAJIT RAYThe director is the only person who knows what the film is about.
SATYAJIT RAYThe only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAYMost of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAYSometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAYEver since Two Daughters I’ve been composing my own music.
SATYAJIT RAYParticularly in the final stages I always find that I’m rushed. It’s dangerous when you’re rushed in the editing stage, most of my early films are flawed in the cutting.
SATYAJIT RAYI was interested in both Western and Indian classical music.
SATYAJIT RAYMy films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
SATYAJIT RAY