When I write an original story I write about people I know first-hand and situations I’m familiar with. I don’t write stories about the nineteenth century.
SATYAJIT RAYThe only solutions that are ever worth anything are the solutions that people find themselves.
More Satyajit Ray Quotes
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I think they quite like me when I work because I’m one of the safer directors to back, because even if my films don’t bring their costs in back home, once they’re shown outside of India they manage to cover the costs.
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What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
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There’s always some room for improvisation.
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Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
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Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
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At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.
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The only solutions that are ever worth anything are the solutions that people find themselves.
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The director is the only person who knows what the film is about.
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I mix Indian instruments with Western instruments all the time.
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I’ve made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
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You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
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I wouldn’t mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they’re not on a fixed salary.
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
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I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
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I was interested in both Western and Indian classical music.
SATYAJIT RAY