I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.
ROY LICHTENSTEINColor is crucial in painting, but it is very hard to talk about.
More Roy Lichtenstein Quotes
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
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Organized perception is what art is all about.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true.
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Outside is the world; it’s there. Pop Art looks out into the world.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
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You have no idea where reality is, so to have an idea of what people think is pretty hard.
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
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In America the biggest is the best.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
ROY LICHTENSTEIN