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There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.

Roy Lichtenstein

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Im interested in what would normally be considered the worst aspects of commercial art.
ROY LICHTENSTEIN

Art Aspect Commercial Consider Interest Normally Thinking Way Worst
As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
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Another Artist Depend Itself Long Mark Relate Unity Vision
People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
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All my art is in some way about other art, even if the other art is cartoons.
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Art Cartoon Even Some Way
I like to pretend that my art has nothing to do with me.
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Color is crucial in painting, but it is very hard to talk about.
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There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
ROY LICHTENSTEIN

Artist Between Cartoon Country Definitely May People Person Relationship Understood
Organized perception is what art is all about.
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
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The things that I have apparently parodied I actually admire.
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I think the meaning of my work is that it is industrial, it’s what all the world will soon become. Europe will be the same way, soon, it won’t be American; it will be universal.
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I don’t think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
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You have no idea where reality is, so to have an idea of what people think is pretty hard.
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