Organized perception is what art is all about.
ROY LICHTENSTEINThere is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
More Roy Lichtenstein Quotes
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.
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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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I don’t really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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Outside is the world; it’s there. Pop Art looks out into the world.
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We like to think of industrialization as being despicable.
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All my art is in some way about other art, even if the other art is cartoons.
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My direction is very anti-contemplative. If you thought I was for commercial products, you’d think there was no irony. The irony isn’t meant to be an ironic comment on our society, exactly.
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You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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Color is crucial in painting, but it is very hard to talk about.
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Pop Art is industrial painting.
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I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.
ROY LICHTENSTEIN