Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
ROY LICHTENSTEINI think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
More Roy Lichtenstein Quotes
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Organized perception is what art is all about.
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Use the worst colour you can find in each place – it usually is the best.
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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
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Outside is the world; it’s there. Pop Art looks out into the world.
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I’d always wanted to know the difference between a mark that was art and one that wasn’t.
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The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true.
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You have no idea where reality is, so to have an idea of what people think is pretty hard.
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People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
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I think the meaning of my work is that it is industrial, it’s what all the world will soon become. Europe will be the same way, soon, it won’t be American; it will be universal.
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What interests me is to paint the kind of antisensitivity that impregnates modern civilization.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and the colors around it and what it will really look like. It’s only a guess at the beginning, and then I try to refine it.
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In America the biggest is the best.
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My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
ROY LICHTENSTEIN