How does meaning get into the image? Where does it end? And if it ends, what is there beyond?
ROLAND BARTHESIt must always be considered as though spoken by a character in a novel
More Roland Barthes Quotes
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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The lover’s fatal identity is precisely this: I am the one who waits.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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The best principals are not heroes; they are hero makers.
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Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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The new is not a fashion, it is a value.
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To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
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He who reads a story only once is condemned to read the same story his whole life.
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To eat, to speak, to sing (need we add: to kiss?) are operations which have the same site of the body for origin.
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The birth of the reader must be at the cost of the death of the Author.
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It must always be considered as though spoken by a character in a novel
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
ROLAND BARTHES