The lover’s fatal identity is precisely this: I am the one who waits.
ROLAND BARTHESThere are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.
More Roland Barthes Quotes
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Myth is neither a lie nor a confession: it is an inflexion.
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A photograph is always invisible, it is not it that we see.
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A picture is never anything but its own plural description.
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Whereas the work is understood to be traceable to a source (through a process of derivation or “filiation”), the Text is without a source – the “author” a mere “guest” at the reading of the Text.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
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I make the other’s absence responsible for my worldliness.
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
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It must always be considered as though spoken by a character in a novel
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Where you are tender, you speak your plural.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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The book creates meaning, the meaning creates life.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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The birth of the reader must be at the cost of the death of the Author.
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Architecture is always dream and function, expression of a utopia and instrument of a convenience.
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If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a “weakness” or an “absurdity”: it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
ROLAND BARTHES






