Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
ROLAND BARTHESOne must turn the tongue seven times in the mouth before speaking.
More Roland Barthes Quotes
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Frontiers are physical as well as symbolic constructions.
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The author enters into his own death, writing begins.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
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Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!
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All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
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I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.
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I make the other’s absence responsible for my worldliness.
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Every exploration is an appropriation.
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Myth is neither a lie nor a confession: it is an inflexion.
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The photographic image is a message without a code.
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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Language is neither reactionary nor progressive; it is quite simply fascist; for fascism does not prevent speech, it compels speech.
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The Ventoux is a god of Evil, to which sacrifices must be made. It never forgives weakness and extracts an unfair tribute of suffering.
ROLAND BARTHES