As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
ROLAND BARTHESOne must turn the tongue seven times in the mouth before speaking.
More Roland Barthes Quotes
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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To eat steak rare represents both a nature and a morality.
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Is not the most erotic part of the body wherever the clothing affords a glimpse?
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Where you are tender, you speak your plural.
ROLAND BARTHES -
I am interested in language because it wounds or seduces me.
ROLAND BARTHES -
The photographic image is a message without a code.
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What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.
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Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
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Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.
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Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott’s psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
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A photograph is always invisible, it is not it that we see.
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
ROLAND BARTHES