Thus every writer’s motto reads: mad I cannot be, sane I do not deign to be, neurotic I am.
ROLAND BARTHESThe photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
More Roland Barthes Quotes
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Every object in the world can pass from a closed, silent existence to an oral state, open to appropriation by society, for there is no law, whether natural or not, which forbids talking about things
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
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A picture is never anything but its own plural description.
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When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
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Who speaks is not who writes, and who writes is not who is.
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Touch is the most demystifying of all senses, different from sight which is the most magical.
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To eat steak rare represents both a nature and a morality.
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To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
ROLAND BARTHES -
He who reads a story only once is condemned to read the same story his whole life.
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What love lays bare in me is energy.
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All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.
ROLAND BARTHES -
Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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As Spectator I wanted to explore photography not as a question (a theme) but as a wound.
ROLAND BARTHES