There’s a cool web of language winds us in, Retreat from too much joy or too much fear: We grow sea-green at last and coldly die In brininess and volubility.
Every fairy child may keep Two strong ponies and ten sheep; All have houses, each his own, Built of brick or granite stone; They live on cherries, they run wild I’d love to be a Fairy’s child.
She told me that all the girls in Annezin prayed every night for the war to end and for the English to go away as soon as their money was spent. She said that the clause about the money was always repeated in case God should miss it.
Nine-tenths of English poetic literature is the result either of vulgar careerism or of a poet trying to keep his hand in. Most poets are dead by their late twenties.
Before an attack, the platoon pools all its available cash and the survivors divide it up afterwards. Those who are killed can’t complain, the wounded would have given far more than that to escape as they have, and the unwounded regard the money as a consolation prize for still being here.
Love at first sight’some say misnaming Discovery of twinned helplessness Against the huge tug of procreation. But friendship at first sight? This also Catches fiercely at the surprised heart So that the cheek blanches then blushes.
But give thanks, at least, that you still have Frost’s poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!
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