[The Outsiders] was all new to me. It’s been fun to be a part of that ride, where it’s become on the level of Catcher In The Rye in terms of people’s required reading in schools.
ROB LOWE[The Outsiders] was all new to me. It’s been fun to be a part of that ride, where it’s become on the level of Catcher In The Rye in terms of people’s required reading in schools.
More Rob Lowe Quotes
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Actually, if I had to do it over [leaving the show the West Wing], I’d do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
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There’s this unbelievable bias and prejudice against quote-unquote good-looking people, that they can’t be in pain or they can’t have rough lives or be deep or interesting.
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There is good and evil in each of us, and you can easily be led to the dark side.
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William Devane was amazing [ in The Grinder] – that we were able to reinvent an acting legend as a comedy star – that’s very gratifying.
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I really make a point of never worrying, or trying not to worry, about the way I’m perceived. You’ll go crazy otherwise.
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I’m not going to stop talking to people who come up to me in an airport. I’m not going to worry about what may be their ulterior motive.
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The really good thing about my career is that I never went through a phase where I played characters who had names like “Partygoer,” “Waiter,” or “Guy #1.”
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I had no regrets when I did it, I have even less regret now because I can’t imagine staying on the West Wing show and then, six weeks later, Aaron Sorkin leaving.
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My looks have prevented people from seeing my work.
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The press concentrates on a divorce an actor’s going through and they ignore the good performances he gives, or the causes that he works for.
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Allison Janney is the best actor on the series.Allison is one of the few actors I ever worked with who is incapable of hitting a false note.
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If people find me attractive, it would be for reasons that anybody finds anybody attractive. It’s something that comes from within, and it manifests itself physically.
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Some of the ’80s movies I did are sort of museum pieces. St. Elmo’s Fire is great as a sort of kitschy, “Oh, my god, I can’t believe we wore that” type of movie.
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I don’t look back with any bitterness, though there are a couple of judgment calls and some ’80s hairdos that I’d like to do over.
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Helmut Newton shot the ad campaign [for Bad Influence]. It’s [James] Spader at the top of his game, right after Sex, Lies And Videotape. It’s sexy. It’s weird. It’s dark. The characters are great.
ROB LOWE