Allison Janney is the best actor on the series.Allison is one of the few actors I ever worked with who is incapable of hitting a false note.
ROB LOWELast night, we were all watching Harry Potter in bed, and I thought, ‘This isn’t something you have when you’re single, that’s for sure.’
More Rob Lowe Quotes
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You wouldn’t want somebody in office who hasn’t experienced life.
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I think part of maturity is knowing who you are.
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I don’t look back with any bitterness, though there are a couple of judgment calls and some ’80s hairdos that I’d like to do over.
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Anyone who’s lived their life to the fullest extent has a scandal buried somewhere.
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I am the guy dressing up in, you know, the caveman outfit for the kids birthday parties.
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I literally knew nothing when I did that show [“Tony Flanagan”]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
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[“John F. Kennedy” movie] was just really clever storytelling.
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I really make a point of never worrying, or trying not to worry, about the way I’m perceived. You’ll go crazy otherwise.
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That chemistry that we had [with Fred Savage] is very, very hard to find. We were lucky to have those 22 episodes [of The Grinder]. I’m unendingly proud of it.
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Some of the ’80s movies I did are sort of museum pieces. St. Elmo’s Fire is great as a sort of kitschy, “Oh, my god, I can’t believe we wore that” type of movie.
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The press concentrates on a divorce an actor’s going through and they ignore the good performances he gives, or the causes that he works for.
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As far as my work for causes or social issues, that’s something I’m doing as a private citizen.
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The ’80s were about trying to establish myself as an actor with a career. And being a teenager enjoying the fruits of being successful with lots of what I think is appropriate for that age.
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I have, on the other hand, felt ill will from various people in the industry and the press.
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I think [The Outsiders] really forged who I am as an actor, and it’s one of the reasons why I keep being drawn to big ensembles where I’m surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.
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The script was given to me by one of my agents and they didn’t tell me anything about it. My first reaction was, “The West Wing? Is it about a squadron of fighter jets?” Then I turned the page and saw, ‘by Aaron Sorkin’ and I knew it was going to be something good.
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If people find me attractive, it would be for reasons that anybody finds anybody attractive. It’s something that comes from within, and it manifests itself physically.
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[The Specials ]was always going to be an underground, underdog kind of movie. But I love when people bring that up, because it’s very early, vintage James Gunn.
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Actually, if I had to do it over [leaving the show the West Wing], I’d do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
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It was a role [Dean Sanderson] I hadn’t seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
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There’s this unbelievable bias and prejudice against quote-unquote good-looking people, that they can’t be in pain or they can’t have rough lives or be deep or interesting.
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I was sick of playing high-school kids. I liked being a teenager, but I would not go back for all the tea in China.
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I love that movie [The Specials]. I love James Gunn. I always sort of suspected that he would do well for himself.
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People should be allowed to do whatever they want in the privacy of their own home or their own hotel room.
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I think that in today’s world the right to privacy and freedom of the press are set on a collision course.
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My looks have prevented people from seeing my work.
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