But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you’re going to do.
Don’t spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex.
Life is for the living. I was a little scared before surgery ’cause of the release you sign that says there’s always a very small percent chance that you’ll die during the operation.
If someone gave me the chance to create something, I put myself into it. I just want to try to do something that will last forever and that won’t leave people saying, ‘Gee, it could have been better, it could’ve been this, it could’ve been that.’
I did speak out about celebrities because I thought it was appalling. I thought that if the cartoon became popular, it was only going to last as long as the career of the people who are in it.
John Kricfalusi is very talented; he used to really piss me off. But I did good work, you know? The Ren & Stimpy show without me was totally unsuccessful.
All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men’s voices, but they weren’t Everyman, it was them.
Everybody. Somebody would just stick their head in the door and say, “He sounds too Jewish.” Or, “He’s too tough, he’s off-putting. You gotta seduce kids, not scare them out the door.”
