But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you’re going to do.
To me, it all comes down to things being character-driven. It’s hard for me to look beyond that. CG and all this cool stuff – so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
If someone gave me the chance to create something, I put myself into it. I just want to try to do something that will last forever and that won’t leave people saying, ‘Gee, it could have been better, it could’ve been this, it could’ve been that.’
Don’t spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex.
Everybody. Somebody would just stick their head in the door and say, “He sounds too Jewish.” Or, “He’s too tough, he’s off-putting. You gotta seduce kids, not scare them out the door.”
