I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
Often in America people would assume that [as an English actor] you’ve had some sort of deep, classical training, or that you’re a Shakespeare enthusiast. I have zero interest in me performing Shakespeare.
I would like to change everything, but obviously not everything. I’ve been incredibly fortunate. I guess everybody would do this, but I’d go back to my younger self and say, “Lighten up. Take it easy. Relax. Don’t be so anxious about everything.
One of my great regrets, and I don’t have many, is that I spent too long putting people’s status and reputation ahead of their more important qualities.
I’ve always slightly worried the kids who play football around my house. They know I’m an actor, but felt sorry for me because they’d never seen anything I’ve done.
All actors who have been around for a long time, which I have, and have been skint for long periods, which I have, find it difficult to turn down jobs. If I turn anything down my stomach turns over. I feel sick. It feels like gambling.
When you are in something that you’re proud of and it’s funny and it’s a good night out and all of those things, there’s nothing quite like it. The rewards are proportionate to the amount of alarm and distress it causes you.