As a kid I had dreams about being successful, thinking it would be cool. Then, when I was in my 20s, I really thought I had it much more figured out than I do now.
There’s always an element of fear that you need to work a lot until people get sick and tired of you or finally figure out that you’re a fraud after all!
I’m Jewish, but my mom’s Catholic, so the guilt area is covered. I have the highest expectations, along with the lowest. I tried to put as much of myself as possible in Reality Bites, but in terms of my humor, I’m still trying to figure out what my sensibility is. It’s a process, really.
I know that I’m better as an actor when I’m working with a good actor. I think anytime you’re working with a better actor, it makes you a better actor.
When we were visiting New York City, I took my kids to the same playground where I went growing up. It was fun to feel that connection of having gone there as a kid and being there as a parent.
It’s what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I’m about.
I don’t think it’s ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary.
I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.