“I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary.”

When I didn’t have a family, I was much more of a workaholic. I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it’s not fun, what’s the point?

I think the most serious genre is the thing you’re going to get the most out of. If you’re trying to satirise a comedy, it’s hard to do that – it doesn’t really work as well. But I love the war movie genre and I’m a fan of all those movies that are part of what this movie is.

I’m just not a naturally cheery person. I’m naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.

You’re freaked out that you’re going to be having a child, and once you’re looking after your daughter, it’s the most beautiful thing in the world.

You have to stay in character in between takes.

I was staying on [writer/director/actor] Eric Schaeffer’s couch in New York, and he said, “I’ve got this movie [If Lucy Fell]. Can you do five days on it?”

I’m very interested in the early American history, the time when the country came together.

Moisture is the essence of wetness, and wetness is the essence of beauty.

And I was like, “Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I’ll fill 120 hours of my life with something.” So I did that and it was fun, and then I did Flirting with Disaster.

I don’t think know if anything’s going to translate anywhere. You’re making a movie, you hope it’s going to be funny, you can’t think about how it’s going to go over.

Words can only hurt you if you try to read them. Don’t play their game!

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

Maybe forced retirement isn’t necessary after all.

I studied Tom Cruise running in all the Mission Impossibles. I think he’s one of the best screen runners.

The cliches are that it’s the most generic Starsky and Hutch plot you can find.

My own parents were touchy-feely.

You’re Arguing with ‘What Is’ – Your demands keep you chained to the ‘dream-state’ of the conditioned mind. The desire to ‘control’… is, ultimately, our unwillingness to just be awake.

Right now you can allow yourself to experience a very simple sense of not knowing – not knowing what or who you are, not knowing what this moment is, not knowing anything.

There is no simple formula for the relationship of art to justice…In the end, I don’t think we can separate art from overall human dignity and hope. My concern for my country is inextricable from my concerns as an artist.

Deep down, everything boils down (“au fond tout se ramène”, Fr.) to the following simple question; Do we really want justice and the realization in this world of higher principles, or else do we want to serve selfish.

Even if it’s something so simple as filling myself up with uplifting meditation so it’s easier to spread kindness and love by the time I walk out my door and enter the world.

No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.

It will take all your heart, it will take all your breath It will be short, it will not be simple

All the things I thought I was – simple and plain and sometime funny – are very small words.