Sometimes I wondered whether I hadn’t let my career get confined to one direction, but lately I’ve decided to accept the fact that I have this opportunity to be successful doing comedies.
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
When I didn’t have a family, I was much more of a workaholic. I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it’s not fun, what’s the point?
I think the most serious genre is the thing you’re going to get the most out of. If you’re trying to satirise a comedy, it’s hard to do that – it doesn’t really work as well. But I love the war movie genre and I’m a fan of all those movies that are part of what this movie is.
I’m just not a naturally cheery person. I’m naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.
I was staying on [writer/director/actor] Eric Schaeffer’s couch in New York, and he said, “I’ve got this movie [If Lucy Fell]. Can you do five days on it?”
And I was like, “Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I’ll fill 120 hours of my life with something.” So I did that and it was fun, and then I did Flirting with Disaster.
I don’t think know if anything’s going to translate anywhere. You’re making a movie, you hope it’s going to be funny, you can’t think about how it’s going to go over.
People like to define you through what they’ve seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don’t sit around thinking, ‘I’ve been a bumbling suitor all my life.’