You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough.
The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbols never perfectly match. Eros is in between.
It is when you are asking about something that you realize you yourself have survived it, and so you must carry it, or fashion it into a thing that carries itself.
We are only midway through the central verse of our youth when we see ourselves begin to blacken. … We had been seduced into thinking that we were immortal and suddenly the affair is over.
I do think I have an ability to record sensual and emotional facts and factoids, to construct a convincing surface of what life feels like, both physical life and emotional life.
Maybe I could have been good as a drawer if I had done it as much as I did writing, but it’s more scary to draw. It’s more revealing. You can’t disguise yourself in drawing.
We’re talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. Starting over with accuracy.