“Homer must have felt this pressure to come up with an epic poem that would sound totally new to an audience that had loved his previous best-seller.”

All myth is an enriched pattern, a two-faced proposition, allowing its operator to say one thing and mean another, to lead a double life.

It takes practice to shave the skin off the light.

It is when you are asking about something that you realize you yourself have survived it, and so you must carry it, or fashion it into a thing that carries itself.

Desire is no light thing.

We are only midway through the central verse of our youth when we see ourselves begin to blacken. … We had been seduced into thinking that we were immortal and suddenly the affair is over.

If your way of life is writing, then everything that happens becomes a sentence.

I do think I have an ability to record sensual and emotional facts and factoids, to construct a convincing surface of what life feels like, both physical life and emotional life.

You remember too much,” my mother said to me recently. “Why hold onto all that?” And I said, “where can I put it down?

A refugee population is hungry for language and aware that anything can happen.

Philosophers say man forms himself in dialogue.

Maybe I could have been good as a drawer if I had done it as much as I did writing, but it’s more scary to draw. It’s more revealing. You can’t disguise yourself in drawing.

There is no person without a world.

When I desire you a part of me is gone.

Time isn’t made of anything. It is an abstraction. Just a meaning that we impose upon motion.

What makes life life and not a simple story? Jagged bits moving never still, all along the wall.

We’re talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. Starting over with accuracy.