Will you pretend you’re my boyfriend?
PATTI SMITHI started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
More Patti Smith Quotes
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I was never a singer, I can’t play any instruments, I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn’t have any template for what I was doing. I did what I did out of frustration and concern.
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
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One day we’ll go in together, and the work will be ours.
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I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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All I’ve ever wanted, since I was a child, was to do something wonderful.
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I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
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I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
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I think it’s important for people to realize that we were all young, all naive, and also we had lived in a time that had magic.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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I’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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A good artist’s always got his hand in his zipper.
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With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
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I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
PATTI SMITH






