I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
PATTI SMITHEven as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
More Patti Smith Quotes
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I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
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I knew if I lived long enough I would be poet laureate of something.
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Will you pretend you’re my boyfriend?
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I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
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Writing is not some quiet, closet act.
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
PATTI SMITH