I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITHI’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITHThe film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
PATTI SMITHI’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
PATTI SMITHOne day we’ll go in together, and the work will be ours.
PATTI SMITHI’m not really a nostalgic person.
PATTI SMITHIn my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITHI knew if I lived long enough I would be poet laureate of something.
PATTI SMITHMy father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
PATTI SMITHA good artist’s always got his hand in his zipper.
PATTI SMITHWith the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
PATTI SMITHYou can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITHI don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
PATTI SMITHI’ve always considered myself a writer.
PATTI SMITHI’ve lost many, many friends through natural causes, through alcohol, through drugs, through AIDS. And every time I lose a friend or a loved one, it reminds me how great life is.
PATTI SMITHRemember, we are mortal, but poetry is not.
PATTI SMITHWill you pretend you’re my boyfriend?
PATTI SMITH