I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
PATTI SMITHI got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
More Patti Smith Quotes
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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Remember, we are mortal, but poetry is not.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
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You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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A good artist’s always got his hand in his zipper.
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH






