I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITHI got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
More Patti Smith Quotes
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I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
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Should I pursue a path so twisted? Should I crawl defeated and gifted?
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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A good artist’s always got his hand in his zipper.
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
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I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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I’m not really a nostalgic person.
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Even as a child, I knew what I didn’t want. I didn’t want to wear red lipstick.
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
PATTI SMITH