People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
PATTI SMITHDesire is hunger is the fire I breathe, love is a banquet on which we feed.
More Patti Smith Quotes
-
-
Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
PATTI SMITH -
I had no proof that I had the stuff to be an artist, though I hungered to be one.
PATTI SMITH -
One day we’ll go in together, and the work will be ours.
PATTI SMITH -
I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
PATTI SMITH -
I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
PATTI SMITH -
Will you pretend you’re my boyfriend?
PATTI SMITH -
All I’ve ever wanted, since I was a child, was to do something wonderful.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH -
Hail brother, the distant thunder is nothing but hearts beating as one.
PATTI SMITH -
To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
PATTI SMITH -
What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
PATTI SMITH -
I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
PATTI SMITH -
A good artist’s always got his hand in his zipper.
PATTI SMITH -
You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH