You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITHI’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
More Patti Smith Quotes
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Remember, we are mortal, but poetry is not.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
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I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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The two things that constantly inspired me were books and travel.
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I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
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One day we’ll go in together, and the work will be ours.
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For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
PATTI SMITH -
I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
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I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
PATTI SMITH