I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITHI’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
More Patti Smith Quotes
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I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
PATTI SMITH -
With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
PATTI SMITH -
I was never a singer, I can’t play any instruments, I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn’t have any template for what I was doing. I did what I did out of frustration and concern.
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I knew if I lived long enough I would be poet laureate of something.
PATTI SMITH -
A good artist’s always got his hand in his zipper.
PATTI SMITH -
All I’ve ever wanted, since I was a child, was to do something wonderful.
PATTI SMITH -
Hail brother, the distant thunder is nothing but hearts beating as one.
PATTI SMITH -
What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
PATTI SMITH -
For Christmas every year, my mother used to give me those cheap little diaries that would tell your horoscope and provide a little blank slot for each day.
PATTI SMITH -
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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Writing is not some quiet, closet act.
PATTI SMITH -
I’m a worker. I do the work to communicate, and I want people to embrace it, and when they do I’m happy.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH