You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITHI was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
More Patti Smith Quotes
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
PATTI SMITH -
I understood that in this small space of time we had mutually surrendered our loneliness and replaced it with trust.
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I’m not really a nostalgic person.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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Everybody’s got to reclaim these thingspoetry, rock’n’roll, political activismand it’s got to be done over and over again. It’s like eating: you can’t say,’Oh, I ate yesterday’.You have to eat again.
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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One day we’ll go in together, and the work will be ours.
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Should I pursue a path so twisted? Should I crawl defeated and gifted?
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Life isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
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I started resenting how much art robs from life. I’d go to a party and I couldn’t enjoy myself, even sexually. All I could think was how I was going to reinvent the experience into a piece of art.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH