Only in a police state is the job of a policeman easy.
ORSON WELLESI’m never certain of a performance – my own or the other actors’ – or the script or anything. But to me it seems there’s only one place in the world the camera can be, and the decision usually comes immediately.
More Orson Welles Quotes
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I’m not basically a happy person, but I have all kinds of joy.
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A bad word from a colleague can darken a whole day. We need encouragement a lot more than we admit, even to ourselves.
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The classy gangster is a Hollywood invention.
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The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.
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Paris is the playwright’s delight. New York is the home of directors. London, however, is the actor’s city, the only one in the world. In London, actors are given their head.
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A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
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Nobody who takes on anything big and tough can afford to be modest.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won’t contribute anything themselves. Give them just a suggestion and you get them working with you. That’s what gives the theater meaning: when it becomes a social act.
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When people accept breaking the law as normal, something happens to the whole society.
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The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.
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Now I’m an old Christmas tree, the roots of which have died. They just come along and while the little needles fall off me replace them with medallions.
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I’ve never understood the cult of Hitchcock. Particularly the late American movies. Egotism and laziness. And they’re all lit like television shows.
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I do not suppose I shall be remembered for anything. But I don’t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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An artist is always out of step with the time. He has to be.
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What’s happening now is what happened before, and often what’s going to happen again sometime or other.
ORSON WELLES