The past assumes the nature of the present.
OLIVER STONEWe have enormous challenges in front of us.
More Oliver Stone Quotes
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I went to Vietnam, and I was there for a long time. [Using marijuana] made the difference between staying human or, as Michael Douglas said, becoming a beast.
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When I make a new movie, I always get stuck with, “That’s not an Oliver Stone film.” But I don’t know what to do about that except just move on.
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I’d rather get past the tyranny of now, where you get judged for something based on what’s happening at the moment.
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People will go to clean theaters; they don’t like to go to dirty theaters.
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Football is mesmerizing, because it’s a figurative war. You go in one direction till you get there, but you get there as a team, not as an individual. Players bond whether they’re black or white, much as soldiers do.
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I think a lot of people misunderstand what I’m doing, because my films are not easy sometimes. They do deserve a second viewing. I think they get misunderstood easily.
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We all know what we know. We experience with our minds and breath.
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I’ve met people who will go to a movie that I can’t stand and they say that they saw that movie ten times. There’s something they like and identified in that movie, and I don’t see it.
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Сyber-warfare is obviously the future. It’s a real concern, but we lie so much about what we do that it’s hard to know what’s going on unless you really follow it.
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Christianity did take a lot of Greek concepts.
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A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she’ll appear in film and it won’t work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don’t know.
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You can never judge how the film will be taken; you can only make your best effort, and put out what you feel. How it’s read, you never can tell. Or remembered for that matter.
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When I’m working with another writer, I tend to make a lot of effort. When I collaborate with a writer, I’m not interested in credit, but I’m feeding him stuff all the time that I feel is important to shaping the script.
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You do the best job you can. You take it step by step. It’s hard enough to make a movie. If it works, that’s great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we’ll see.
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From ’45, the moment Franklin Roosevelt dies, we’re running ratlines with the Germans, helping Nazis escape.
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