When you look at a movie, you look at a director’s thought process.
OLIVER STONEWhen you look at a movie, you look at a director’s thought process.
More Oliver Stone Quotes
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I would vote for the man who’s lived life, who’s done different occupations, who’s been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I’d vote for experience, honest experience.
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When I make a new movie, I always get stuck with, “That’s not an Oliver Stone film.” But I don’t know what to do about that except just move on.
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I do believe that movies are subject to a million interpretations.
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I think our life is a series of adventures.
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I’m a dramatist. Dramatists have a right to look at history and interpret it the way they see it.
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Many films are forgotten and deserve to be, but others glom onto the DNA and they keep a share of the collective consciousness. It’s a profound question: What are we here for? What is the purpose, the sum effect of our work?
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I don’t want to make a half-assed film. It’s not my area of expertise.
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Obama took a bad situation and, in certain ways, made it worse. … I find Obama scary in a way that I had not done in 2008.
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Anybody who’s been through a divorce will tell you that at one point. they’ve thought murder. The line between thinking murder and doing murder isn’t that major.
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Pat Nixon was called the Mona Lisa of American politics. She never wrote anything. Her interviews tell us nothing.
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Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.
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Get the overall. Some of my films may have been crude at times, or tough, or missed the points, but I’ve tried to get the overall in. I think that’s more important. You may miss a thing or two, but you move faster. If you can do it in three takes, do it in three takes.
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Every movie requires its own style. Just be honest to the story. Tell the story in the best possible way that is different, exciting and original.
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The Greek playwrights, we’re all beholden to them, every one of us.
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This myth that America has this atomic bomb that makes us right, it makes us good, it makes us set the agenda for the world. Everywhere, we can go global, we determine.
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I’ve changed my style constantly, so I’m not sure I have one defined style, except perhaps style of subject matter.
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I am not trying to be a historian and a dramatist; I’m a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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It was a tough experience with Alan Horn, who didn’t like anything that was R-rated. So you can imagine he hated some of my films.
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From ’45, the moment Franklin Roosevelt dies, we’re running ratlines with the Germans, helping Nazis escape.
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What needs to happen is more of a global understanding, and I believe the United States can work as a global partner and not be the hegemon.
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You do the best job you can. You take it step by step. It’s hard enough to make a movie. If it works, that’s great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we’ll see.
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I’ve met people who will go to a movie that I can’t stand and they say that they saw that movie ten times. There’s something they like and identified in that movie, and I don’t see it.
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I’m trying to understand my life. The one that I’ve experienced.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them – maybe that’s what Steven Spielberg connects with so well in Lost World.
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We have enormous challenges in front of us.
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Football is mesmerizing, because it’s a figurative war. You go in one direction till you get there, but you get there as a team, not as an individual. Players bond whether they’re black or white, much as soldiers do.
OLIVER STONE