It’s very important that the music has a sense of adventure to it, and that it’s done by the seat of your pants. There’s a kind of nervy element about it.
NICK CAVEI see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.
More Nick Cave Quotes
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If I’m hanging around too much, my wife and kids say, ‘Hey, why don’t you go downstairs and start a new novel?’
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When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.
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The way I take in the world is by seeing it; that is very much evident in the songs that I write.
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I have an armchair interest in gardening, but I don’t like to get my knees dirty. I don’t have a garden.
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We as visual artists need to continue to be renegades and say, “Yes I am here to do a project, but what is the social service?”
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I suspect the older you get the more invisible you become.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don’t have a bunch of notes that I bring into the office, I start with nothing at all.
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And I kissed away a thousand tears My lady of the Various Sorrows Some begged, some borrowed, some stolen Some kept safe for tomorrow.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
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I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
NICK CAVE