Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
NADINE GORDIMERA desert is a place without expectation.
More Nadine Gordimer Quotes
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The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.
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Writing is making sense of life. You work your whole life and perhaps you’ve made sense of one small area.
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The country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
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Perhaps the best way to write is to do so as if one were already dead, afraid of no one’s reactions, answerable to no one’s views.
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Nothing factual that I write or say will be as truthful as my fiction.
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a writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
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The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
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A child understands fear, and the hurt and hate it brings.
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Any writer of any worth at all hopes to play only a pocket-torch of light – and rarely, through genius, a sudden flambeau – into the bloody yet beautiful labyrinth of human experience, of being.
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I’m forty-nine but I could be twenty-five except for my face and my legs.
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The primacy of the word, basis of the human psyche, that has in our age been used for mind-bending persuasion and brain-washing pulp, disgraced by Gobbles and debased by advertising copy, remains a force for freedom that flies out between all bars.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
NADINE GORDIMER