If I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
NADINE GORDIMERIf I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
NADINE GORDIMERI have learned since that sometimes the things we want most are impossible for us. You may long to come home, yet wander forever.
NADINE GORDIMERExile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
NADINE GORDIMERArt defies defeat by its very existence, representing the celebration of life, in spite of all attempts to degrade and destroy it.
NADINE GORDIMERTime is change; we measure its passage by how much things alter.
NADINE GORDIMERThe creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
NADINE GORDIMERCan you imagine writers influencing things in America? Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more – absolutely not. France used to, at least, have writers as diplomats, but not any more.
NADINE GORDIMERMusic has no limits of a life-span.
NADINE GORDIMERThe country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
NADINE GORDIMERa writer doesn’t only need the time when he’s actually writing – he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
NADINE GORDIMERI cannot live with someone who can’t live without me.
NADINE GORDIMERA truly living human being cannot remain neutral.
NADINE GORDIMERCan you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
NADINE GORDIMERI don’t think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
NADINE GORDIMERit’s impossible to conquer all fear and loss by preparation. There are always sources of desolation that aren’t taken into account because no one knows what they will be.
NADINE GORDIMERI couldn’t be sufficiently interested in human beings to be a writer if I had contempt for human beings.
NADINE GORDIMER