It’s easier for the former masters to put aside the masks that hid their humanity than for the former slaves to recognise the faces underneath. Or to trust that this is not a new mask these are wearing.
NADINE GORDIMERAbout the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
More Nadine Gordimer Quotes
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September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it.
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I have learned since that sometimes the things we want most are impossible for us. You may long to come home, yet wander forever.
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If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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If people would forget about utopia! When rationalism destroyed heaven and decided to set it up here on earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it.
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The Communist Party is very popular in South Africa, especially among the young people. Never having had a chance to travel, and having suffered so much under capitalism, they still can’t believe that the Russian people themselves have rejected it.
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Literature is one of the few areas left where black and white feel some identity of purpose; we all struggle under censorship.
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Well, you know, in the fundamentalist milieu of the Afrikaners, there was a sense that they were a chosen people, that they were bringing civilization to the blacks.
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Sentiment is for those who don’t know what to do next.
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Nothing factual that I write or say will be as truthful as my fiction.
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The function of a writer is to make sense of life. It is such a mystery, it changes all the time, like the light.
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Writing is making sense of life.
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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I never talk about what I’m writing about currently, never. It’s private work on your own, no need or obligation to talk about it. Writers are made into performers these days, including myself, but there are some instances in which I will not perform.
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The gap between the committed and the indifferent is a Sahara whose faint trails, followed by the mind’s eye only, fade out in sand.
NADINE GORDIMER