If one will always have to feel white first, and African second, it would be better not to stay on in Africa.
NADINE GORDIMERAbout the joys and the courage, I really don’t know what other people think. I just know that I’ve never left Africa. I’ve lived there all my life. And one of the wonderful things, in spite of all the terrible things that happen in South Africa, is the way people continue to keep their dignity.
More Nadine Gordimer Quotes
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In a country like South Africa, writers have nuisance value, because those of us who have become known overseas have certainly helped to inform people about what life is like there.
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When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us.
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Humans, the only self-regarding animals, blessed or cursed with this torturing higher faculty, have always wanted to know why.
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Time is change; we measure its passage by how much things alter.
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It’s absolutely fatal to your writing to think about how your work will be received. It’s a betrayal of whatever talent you have.
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My answer is: Recognize yourself in others
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Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.
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From Ernest Hemingway’s stories I learned to listen within my stories for what went unsaid by my characters.
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In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
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Sentiment is for those who don’t know what to do next.
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A desert is a place without expectation.
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I don’t think I am a citizen of the world; I am very much a citizen of my own country. But my own country is closely related to other parts of the world and influenced by what happens there.
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The caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.
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Writing is always a voyage of discovery.
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Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
NADINE GORDIMER