In a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
NADINE GORDIMERIn a certain sense a writer is ‘selected’ by his subject – his subject being the consciousness of his own era.
NADINE GORDIMERThe caged eagle become a metaphor for all forms of isolation, the ultimate in imprisonment. A zoo is prison.
NADINE GORDIMERExile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.
NADINE GORDIMERI have learned since that sometimes the things we want most are impossible for us. You may long to come home, yet wander forever.
NADINE GORDIMERThe creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
NADINE GORDIMERA child understands fear, and the hurt and hate it brings.
NADINE GORDIMERA truly living human being cannot remain neutral.
NADINE GORDIMERIf one will always have to feel white first, and African second, it would be better not to stay on in Africa.
NADINE GORDIMERWritten words still have the amazing power to bring out the best and worst of human nature
NADINE GORDIMERI shall never write an autobiography, I’m much too jealous of my privacy for that.
NADINE GORDIMERMy answer is: Recognize yourself in others
NADINE GORDIMERThe creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
NADINE GORDIMERI’m a candle flame that sways in currents of air you can’t see. You need to be the one who steadies me to burn.
NADINE GORDIMERThe country of the tourist pamphlet always is another country, an embarrassing abstraction of the desirable that, thank God, does not exist on this planet, where there are always ants and bad smells and empty Coca-Cola bottles to keep the grubby finger-print of reality upon the beautiful.
NADINE GORDIMERIf I dreamt this, while walking, walking in the London streets, the subconscious of each and every other life, past and present, brushing me in passing, what makes it real? Writing it down.
NADINE GORDIMERCan you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
NADINE GORDIMER