Good music is good no matter what kind of music it is.
MILES DAVISIt’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.
More Miles Davis Quotes
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I’m not messing around with nobody’s woman. If I want a woman I go get her – you know what I mean?
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White folks always think that you have to have a label on everything – you know what I mean?
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Don’t worry about playing a lot of notes. Just find one pretty one.
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If somebody told me I only had an hour to live, I’d spend it choking a white man. I’d do it nice and slow.
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Don’t play what’s there, play what’s not there.
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You can tell whether a person plays well or not by the way he carries the instrument, whether it means something to him or not.
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We’re not going to play the blues anymore. Let the white folks play the blues. They got ’em, so they can keep ’em.
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You can dominate a game if you dominate on the line… We’re just going to have to go out there and work hard and blow people off the ball, and let our runners do what they do best.
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When kids don’t learn about their own heritage in school, they just don’t care about school… But you won’t see it in the history books unless we get the power to write our own history and tell our story ourselves.
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I can’t write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don’t never write for myself.
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It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.
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What’s swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don’t have to ask anybody if that’s good music or not. You can always feel it.
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Bebop didn’t have the humanity of Duke Ellington. It didn’t even have that recognizable thing. Bird and Diz were great, fantastic, challenging – but they weren’t sweet.
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I like Stan [Getz], because he has so much patience, the way he plays those melodies – other people can’t get nothing out of a song, but he can, which takes a lot of imagination.
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If you hit a wrong note, it’s the next note that you play that determines if it’s good or bad.
MILES DAVIS