If you sacrifice your art because of some woman, or some man, or for some color, or for some wealth, you can’t be trusted.
MILES DAVISAll my inspiration comes from Ahmad Jamal.
More Miles Davis Quotes
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Music is an addiction.
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People will go for anything they don’t understand if it’s got enough hype.
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You have to know 400 notes that you can play, then pick the right four.
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In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.
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There are no wrong notes in jazz: only notes in the wrong places.
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It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.
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Jazz is an Uncle Tom word. They should stop using that word for selling. I told George Wein the other day that he should stop using it.
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Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
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The way you change and help music is by tryin’ to invent new ways to play.
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It’s not the note you play that’s the wrong note – it’s the note you play afterwards that makes it right or wrong.
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Knowledge is freedom and ignorance is slavery.
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I don’t care if a dude is purple with green breath as long as he can swing.
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Food makes my mind sluggish.
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Look, man, all I am is a trumpet player.
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Jazz musicians are so comfortable. The reason they can’t do what we do is because they’re so comfortable doin’ what they do.
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It takes a long time to sound like yourself.
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I’m always thinking about creating. My future starts when I wake up every morning… Every day I find something creative to do with my life.
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If somebody told me I only had an hour to live, I’d spend it choking a white man. I’d do it nice and slow.
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It’s not the notes you play, it’s the notes you don’t play.
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All my inspiration comes from Ahmad Jamal.
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If you have to ask, you’ll never know.
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In other words, an instrument should be an extension of you; it’s supposed to sound like you – the way you walk, the way you dress, you know.
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Jazz is like blues with a shot of heroin!
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I like Stan [Getz], because he has so much patience, the way he plays those melodies – other people can’t get nothing out of a song, but he can, which takes a lot of imagination.
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Don’t worry about playing a lot of notes. Just find one pretty one.
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It took me twenty years study and practice to work up to what I wanted to play in this performance. How can she expect to listen five minutes and understand it?
MILES DAVIS