Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent.
MILES DAVISIf you’re going to drop behind, you have to keep it there.
More Miles Davis Quotes
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Drummers – sometimes they play and they listen. And that little listen takes a speck away from the right tempo.
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I like Stan [Getz], because he has so much patience, the way he plays those melodies – other people can’t get nothing out of a song, but he can, which takes a lot of imagination.
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It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.
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In Europe, they like everything you do. The mistakes and everything. That’s a little bit too much.
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I’ll play it first and figure out what it’s called later.
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I don’t pay no attention to what critics say about me, the good or the bad. The toughest critic I got is myself…and I’m too vain to play anything I think is bad.
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People will go for anything they don’t understand if it’s got enough hype.
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Don’t play what’s there, play what’s not there.
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Don’t be afraid of mistakes – There are none.
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Jazz is like blues with a shot of heroin!
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I usually write from the rhythm section…If a drummer got a funky beat on some things – like a half-shuffle or a shuffle or a backbeat that’s even – I can write something.
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The only reason to write a new song is because you’re tired of the old ones.
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When the band plays fast, you play slow; when the band plays slow, you play fast.
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I’m out there doing the best that I can, My lip is cut and I’m still playing.
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Bebop didn’t have the humanity of Duke Ellington. It didn’t even have that recognizable thing. Bird and Diz were great, fantastic, challenging – but they weren’t sweet.
MILES DAVIS