Vampires get the joy of flying around and living forever, werewolves get the joy of animal spirits. But zombies, they’re not rich, or aristocratic, they shuffle around. They’re a group phenomenon, they’re not very fast, they’re quite sickly. So what’s the pleasure of being one?
MARGARET ATWOODThe heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
More Margaret Atwood Quotes
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Although from you I far must roam, do not be broken hearted. We two, who in the souls are one, are never truly parted.
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When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
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I walk away from him. It’s enormously pleasing to me, this walking away. It’s like being able to make people appear and vanish, at will.
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Science fiction is filled with Martians and space travel to other planets, and things like that.
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I’m a novelist, and idle speculation is what novelists do. How odd to spend one’s life trying to pretend that non-existent people are real: though no odder, I suppose, than what government bureaucrats do, which is trying to pretend that real people are non-existent.
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And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.
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Show me a character totally without anxieties and I will show you a boring book.
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A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
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There’s always something to occupy the inquiring mind.
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I was kidnapped by literature at a young age and never wanted to be ransomed.
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Hunger is a powerful reorganizer of the conscience.
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Maybe that’s what love is, I thought: it’s being pissed off.
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The biggest debt is always the government debt; it’s always debt that government has run up on your behalf.
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The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
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Once upon a time, novelists of the 19th century, such as Charles Dickens, published in serial form.
MARGARET ATWOOD