I didn’t go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.
MARGARET ATWOODCanada was built on dead beavers.
More Margaret Atwood Quotes
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There is no fool like an educated fool.
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The best way of being kind to bears is not to be very close to them.
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In the end, we’ll all become stories.
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There’s always something to occupy the inquiring mind.
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These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive.
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Maybe that’s what love is, I thought: it’s being pissed off.
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The biggest debt is always the government debt; it’s always debt that government has run up on your behalf.
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You can pretty much trace when the big individual indebtedness kicked in, and it was when the credit card became generally available.
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Better never means better for everyone… It always means worse, for some.
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Once upon a time, novelists of the 19th century, such as Charles Dickens, published in serial form.
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The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
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The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history.
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Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.
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we lived in the gaps between the stories
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I walk away from him. It’s enormously pleasing to me, this walking away. It’s like being able to make people appear and vanish, at will.
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I did … learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it’s about your friends, a plot element if it’s about a character in a novel, and scholarship if it’s about John Keats.
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I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
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Don’t misunderstand me. I am not scoffing at goodness, which is far more difficult to explain than evil, and far more complicated. But sometimes it’s hard to put up with.
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A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately.
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We are silent, considering shortfalls. There’s not much time left, for us to become what we once intended. Jon had potential, but it’s not a word that can be used comfortably any more. Potential has a shelf-life.
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Although from you I far must roam, do not be broken hearted. We two, who in the souls are one, are never truly parted.
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It’s evening, one of those gray water-color washes, like liquid dust.
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Show me a character totally without anxieties and I will show you a boring book.
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I was kidnapped by literature at a young age and never wanted to be ransomed.
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I did not know how to paint or even what to paint, but I knew I had to begin.
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Nature is an expert in cost-benefit analysis,’ she says. ‘Although she does her accounting a little differently. As for debts, she always collects in the long run.
MARGARET ATWOOD