I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
The way love feels is always only approximate. I would like to be without shame. I would like to be shameless. I would like to be ignorant. Then I would not know how ignorant I was.
I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder.
I didn’t go to school for a full year until I was 12. In the summer I was a wild child in the woods, with no shoes, and in the fall it was back to the city, shoe shops and school.
Confronted by too much emptiness … the brain invents. Loneliness creates company as thirst creates water. How many sailors have been wrecked in pursuit of islands that were merely a shimmering?
Immortality,’ said Crake, ‘ is a concept. If you take ‘mortality’ as being, not death, but the foreknowledge of it and the fear of it, then ‘immortality’ is the absence of such fear. Babies are immortal. Edit out the fear, and you’ll be.
