Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
LEV GROSSMANCareful what you hunt, lest you catch it.
More Lev Grossman Quotes
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You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals
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I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
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A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
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He who completes a quest does not merely find something. He becomes something.
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Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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The novel is a highly corrupt medium, after all – in the end the vast majority of them simply aren’t that great, and are destined to be forgotten.
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I feel very conscious of my influences. T.H. White is very important for me.
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Do you promise to hate my parents as much as I do?” “Oh, absolutely,” Quentin said. “Maybe even more.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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I’ve only read three books by Stephen King. When I was 10 I read ‘The Long Walk,’ one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read ‘The Dark Half,’ which taught me a word I have never forgotten: psychopomp. Now I have read ’11/22/63.’
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The process of learning is a nonstop orgy of wonderment.
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Careful what you hunt, lest you catch it.
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I studied the cello for a long time, from when I was little up through college.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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