I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed – it was – impossible to realize, so I sat around for a long, long time doing almost nothing at all.
The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what’s going on in contemporary fiction – not only genre stuff, the whole spectrum.
Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
