By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
LEV GROSSMANHis crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
More Lev Grossman Quotes
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Do you promise to hate my parents as much as I do?” “Oh, absolutely,” Quentin said. “Maybe even more.
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He who completes a quest does not merely find something. He becomes something.
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The truth doesn’t always make a good story, does it?
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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I think for a long time, I was paralyzed by some of my hopes and ideals for what my life was going to be like. I had this perfect vision of how my life should go, but it seemed – it was – impossible to realize, so I sat around for a long, long time doing almost nothing at all.
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His whole personality was like an elaborate joke that he never stopped telling.
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You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
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Some of the comments on YouTube make you weep for the future of humanity just for the spelling alone, never mind the obscenity and the naked hatred.
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Escapism has value, even if I don’t know what its value is, exactly. Maybe it’s just part of some healthy way that we deal with the world.
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His crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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We have reached the point where ignorance and neglect are the best we can hope for in a ruler.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
LEV GROSSMAN