Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGUROAll children have to be deceived if they are to grow up without trauma.
More Kazuo Ishiguro Quotes
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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One is not struck by the truth until prompted quite accidentally by some external event.
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When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
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I have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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I like novelists who can create other interesting worlds.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
KAZUO ISHIGURO